Dancing couple with animal heads. Male 2.5 inches taller than female, Figures facing each other, male with left arm on bust of female and right hand reaching under skirt of female. Penis subtle but visible on male, female clothed with skirt and blouse of strips, rectangular base.

Abstract circular form on three short legs, architectural form of simple tube of bronze with piercings. Top crenellations or "hat" cup like with connecting serpentine strip.

Abstract twisting sheets of bronze with voids and "portal" Architectural, two vertical sheets with one large sheet twisting in curving serpentine line between corner up second crossing sheet forming an arch. Space inside crossed by two narrow trips, three legged.

Abstract architectural composition of strips and sheets of metal on roughly triangular base, four close tubes or rods "chimney's" in top half. Signature stamp and founders stamp on small vertical rectangle at bottom. Founders stamp Cocina Madrid. Also signature stamp (faint) at opposite corner of horizontal base.

Abstract composition of strips of metal. Base roughly rectangular, "head" hemispherical.

Abstract composition four flat rounded triangles stacked on edges on top of one another, each triangle separated and suspended from the others by narrow rectangular bars of metal modeling fairly fine, base circular and flat and short

Abstract composition of large solid form, vertical monumental structure, roughly triangular hole on narrowest side evocative of a tower or organic castle, top has one spike and strip bridging across between two corners

Horizontal abstract composition of a large triangular sheet suspended in the air. One corner is supported by an arching leg. The sharpest corner is suspended by three squareish rods coming from a base of bronze and piercing through the triangle. The base arcs up from the ground joining the triangle underneath - with steps seeming a stairway. Natural greenish bronze.

Abstract vertical composition;, wall piece, numerous curving planes interconnected by rods and strips of bronze crisscrossing between planes culminating in sharp projection at top.

Abstract composition of three elongated sharp forms arching through the spaces. Supported by three blockish legs.

Abstract composition of two curving torn sheets or metal suspended above a coarsely triangular base the lower sheet is bent around with sharp projecting points seeming to form a laughing face with a hole describing the eye. The top sheet also with sharp projecting points is formed into an oddly gondola shaped "headdress".

Abstract two legged figure composed of curving blocky and rectangular blocky forms. Pronounced buttocks, head of three rectangles one with scratch marks. Central curving form of the body also has scratch marks, modeling generally fine.

Simple composition of two box like rectangles stand side by side. Half way up, a rectangular projection extends form one "figure" joining the forms together. This projection is reversed from one side to the other so that both figures project into the other.

Standing male and female figures, male with one leg between females. Right arm of male around females shoulders, both figures have a triangular wing coming off shoulder, female has a skirt flaring as if in a breeze.

Two sail like triangles one smaller and vertical, one larger and horizontally billowing as if with wind and supported by rods and figures. Tapering to a very narrow base. Many small figures climb about the structure mounted on marble base.

Horizontal piece of thin sheets and strings of bronze. Sail-like curving and billowing as in wind. Much open space between forms leaving very flexible open swaying quality. Many small loosely modeled figures climb about the structure, one pair copulating, several attending to their genitals.

Abstract zig zag structure of large flat forms with few piercings. On top is a smaller structure of figure with a small circular "eye" piercing through.

Abstract cylindrical form, very simple, rectangular opening running the height of the piece. Right side rises to a point and resembles an adobe tower with a large portal.

Abstract composition of simple rectangular forms in tall tower like shape. A large portal runs from top to bottom, top crenelated with curving forms.

Abstract composition with roughly triangular box like structure. Topped by two organic rock wall shapes with a "dam" between the two walls.

Abstract composition of two forms, one leaning over the other. Outside shapes simple and curving on one side, strait on the other side. Inside negative space is more complex with pointed zig-zags.

Abstract composition of several thin rough sheet like forms growing up out of a single point a the base. Cast in Verona, formed with sheets of cork and wax. Wood base

Abstract composition of angular curving forms. Very spacious. Dominate horizontal serpentine line form low on right crosses to high on left supported by a strong vertical rectangle.

Abstract form. Four bell like shapes supported by two long thin splaying legs on a pierced oval base. Seeming to walk or... two flowers in a breeze.

Abstract composition. Large angular vertical sheets or "wings" supported on a single short stem. Small attached circle low on side, two piece concrete base.

Abstract composition of angular sheets of bronze forming a two story architectural space - bottom single chambered, top double chambered.

Abstract composition of bell like forms on two tall legs. Base angular with two triangular piercings. Foundry stamp "codina madrid" above signature.

Abstract composition suggesting a dancing figure with a long outstretched leg. Body arcing forward into a bow rear foot set at cross angle to front foot.

Abstract composition of complex series of sheets of metal bent into barrel shape with a saddle shaped top. Another smaller curved barrel shape is attached to the top. Inside the main space are climbing figures. Stands on four thin legs... giving an organic animal like feeling.

Abstract architectonic figure standing on two legs with large flat feet. Modeled from flat strips and rods. Head has small archways and voids. Stamped "codina Madrid" on right foot.

Three rough rectangular sheets (cast from cork) overlapping and rising tall from a three thin legs. The under structure has several horizontal protrusions.

Abstract composition of rough sheets springing vertically from two stubby legs, one leg thick, one thin. Thin leg is shorter with wood spacer to wooden base. Base is squareish shape and signed on the side.

Simple abstract composition of five flat shapes. The largest is centered in the composition. The other four are roughly equal in size and attached 2 above and 2 below to the center by perpendicular flat strips. A horizontal strip crosses the back of the central form.

Organic abstraction. Very rounded forms hollow structure with piercing. Suggestive of seated shrouded figure. Mounted to wooden box base.

Composition of encircling rounded forms on three legs. Strips form a grid at the back of the central opening mounted on an ebony base.

Abstract composition of box like form with large oval hole, standing on two legs. Top is crenelated with short horizontals. Base has small wall at rear.

Curving abstract form standing on two wide flat "feet" one foot with steps. Legs loop around and join in center supporting a bird head shaped form with large open eye and a long sloping beak.

Simple abstraction form basically flat with planes in relief and several caves and piercing outside form tapering to a narrow flat top.

Two abstract organic forms, one large, one small... joined with many piercings and small projections.

Box like structure resembling a house. Roof is arched with a tall continuing to the ground on its right side. Front has a rectangular door and to it's right, a narrow rectangular window. Modeling is rough and warty.

Abstract composition of large rounded forms springing from a single wide "foot" and tapering to three sharp spikes at the top. The forms lean dramatically from front to back.

Abstract form rising from three short legs (one thicker) with several voids organic in nature.

Abstract form rising from two thin legs. With large crescent shaped head. Base has a short wall on front with signature and foundry stamp "Codina Madrid"

Abstract composition of large triangular sail like forms rising from a single post, spreading right and left to sharp points and culminating at top in a single point. Many tiny figures climb about. Base is circular and of steel.

Abstract composition of large swirling forms surrounding a central void standing on two curving legs seeming to walk. Crowned by a series of stacked horizontals. Base is wood.

Architectural piece resembling a pueblo. Many cells with portals are joined together in organic fashion. All is glaze white ... glaze is cracked and flaking.

Wall relief. Abstract composition of swirling forms ... several cup like major lines meet near center... square in outside form... organic shades.

According like abstraction standing on four short legs. Several projections protrude from top. Base is rectangular with two levels.

Wall relief. Square abstract composition of over lapping plains. Horizontals and verticals, with few diagonals or curves.

Square Abstract composition organic swirling forms. similar to #00049.

Rough vertical form of flat thick organic over lapping sheets with many piercings attached to a triangular base supported by three thin legs.

Composition of thin sheets joined in a zig zag screen with square columns at the ends. One narrower column is in the middle. Whole work stands on several stubby legs.

Abstract hollow form with many large piercings and voids. Stands on five short legs. A fragment of Goede with quartz crystals fits loosely in one void at the top.

Horizontal composition - landscape featuring a village on a sloping mesa. Village dominated by a tall square structure in one corner - low walls, a well and small structures range away up the slope, the whole stands on several sheet like legs forming the mesa impression.

Abstract composition of three flat simple rounding forms suspended on three square rod like begs from a circular base. Three square rods also protrude from the top, the central being the tallest.

Abstract two legged form resembling a walking bird with outstretched legs. Head is semicircular with long sharp beak. the whole work is crawling with tiny human figures. Base is black marble.

Abstract composition... two slabs, one rising to a top point, standing on horizontal bars supported by a narrow perpendicular slab. The upper slabs stand net to one another, but sway apart. Black marble base.

Simple cubic abstract figure. Single square post standing from a circular base with a cubic head. Head has one square hole from an angled square protrusion for a "face". Rectangular addition with corresponding void from the body.

Abstract figure - single square post rising from a circular base, curving to a triangular body and continuing to a cubic head. The head has a small arched piercing for a face and rectangular tag to one side.

Abstract composition with large open spaces. Dominate line arches gently from the bottom of one side over the top to the opposite side. It resembles the silhouette of a grazing bull. Top has hump and post with small iron ring as if for hanging. Central space is crossed by angular forms.

Abstract composition of two figures wrapped in a single cloak. Solid cubist form with no piercings with two "heads" visible on top.

Abstract composition. Rough dominate plain with one protruding finger. Whole work stands on a structure with several sort legs. Under structure has piercings, upper structure as none.

Abstract Pieta of solid forms with no piercings with voids painted blue. Mary's head squarish, her cloak fringed.

Abstract composition of swirling circular forms around large open spaces. Outside form circular on two legs from a rectangular base.

Tall two legged structure with three horizontal rough planes (central plane diagonal) whole work is covered with tiny figures. Two triangular feet are attached to a black marble base.

Abstract two legged figure on a square base. Large D shape with piercing forms the body. Head U shaped with rectangles as headdress. Back of head has U shared void face described by angled square.

Abstract construction - tall box forms architectural in flavor with rectangular windows. Several projections from top stands on 4 legs on rectangular base.

Abstract figure - single post from square base arching flat back, curved distended stomach - block head with cubic nose small cubes on side of head. Triangle from back of neck.

Angular abstract composition - radical dog from base to pointed top. Several arcing half circles are described by fairly careful modeling, cubist flavor.

Abstract composition of curving overlapping tapering planes supported by curving vertical walls. Composition is open with voids and piercings - attached to a wooden base - signed O. G. Hitzberger Spain.

Abstract form: curved and twisted sheet of bronze with several windows attached to base at extreme end. Single bar arcs around from bottom to near top.

Landscape scene standing on several flat legs. Harbor scene with a number of boats. Numerous structures raising up a hillside dominated by a church spire on right.

Abstract design in low relief outside amebic form with protrusion on lowest left design cubist/geometric. Attached to far right of wood base.

Abstract construction - wall relief a series of overlapping leafs of metal in a loosely square composition.

Abstract construction - wall relief a series of overlapping leafs of metal in a loosely square composition.

Very simple abstract form. Two delta shaped wings, joined at bottom and stretched upwards as if about to commence the downward stroke of a bird flying.

Abstract composition of several overlapping sheets of metal, some square, some circular and curved, and some long an thin/tapering, arranged in three tiers, supported by juxtaposing thin vertical shafts, some piercing through the planes. Stands on three feet attached to a wood base.

Abstract family group - mother, father, child. small figure stands between two tall figures on a rectangular base. composed of simple curves and flats. With heads of joined blocks. bodies are single posts with no discernible legs or feet.

Abstract wall relief, basically square with protrusions. Many piercings and voids open composition of twisting and torn sheets of metal. Some rust spots.

Abstract wall relief - basically square in composition with overlapping planes several of which project radically at an angle from the face - few piercings several projections from the square, one thin strip in corner projects 6.5 inches from the square - some rust spots. Cast in Madrid-apparently the foundry added iron to the metal to increase weight/save bronze. Otto stopped using Madrid and returned to Verona.

Abstract wall relief, basic rectangular composition with projections, curving and flat planes broken up with box walls - numerous piercings. Some rust spots.

Three legged abstract form, hollow construction of large curving sheets - two "horns" to one size on top. Organic in appearance - animal like. Represents a bull fight.

Abstract construction - 4 large sharp triangles in opposing directions with billowing "sails" supported by 3 legs on steel X base - numerous tiny figures climb all about the structure. Steel Base.

Abstract composition, simple large flat parallel planes extending from a single squarish post attached to a slab wood base. There is a rectangular window in center with horizontal bars above. Wood base.

Abstract composition architectural in nature - 2 vertical slabs, one taller and tapering with strong diagonal slabs connecting them. Steps lead to one vertical from a small curved enclosure very low and to one side. A rod pierces this vertical coming from the diagonal - each vertical has an organic lump attached to its top.

Simple abstraction - a single square post rises from a rectangular base which has a small wing on each end. The post rises to first a grid pattern, then a horizontal rectangular plane and finally a large slightly squared open hemisphere with the opening on one side.

Abstract composition. rectangular boxy construction. A tapering box supports from one end a flat surface which at the other end supports two legs holding another rectangular box which has a rough curving top.

Abstract construction simple vertical composition of three rough slabs and several posts (2 Square, 2 round) rising from a rectangular base. 3 short steps lead to one of the vertical slabs. The top is crenelated with several narrow horizontal rods at an angle from level. Two of the vertical slabs are joined at their edges.

White marble carving, some subtle brownish finish, chiseled finish. Abstract geometric form of arching planes rising from a rectangular box shape. Several of the planes cross into a sharp projection on one side. The opposite side is one simple curving surface. The marble is mounted on a tooled dark gray granite base.

Gray stone carving Abstract hollow form pierced through in top third large simple form wraps up and around leaving a completely hollow space. Once side is completely open, the opposite with a window in the top inside the space are four rectangular upright forms, one with a small cross piece attached to the wall. The stone is carved with a tooth chisel, polished on the outside, left rough on the edges and inside, it is mounted on a tooled gray granite base.

Three legged abstract form. Rough modeling of curving sheets attached to bars. Arcing back (or top) suggesting an animal nature, one side has a low protrusion or "snout".

Tall simple abstract marble figure arch like top over kidney shaped top third long arcing line defines lower two thirds bottom has small "foot" marble is matte white with no veining carved primarily with a bush hammer. some chisel marks.

Tall simple figure, abstract with blocky cubic head. Head has a sharp triangular projection with a chiseled 'window' on one side body is extremely simple, four sided and gently curving finish is bush hammered.

Tall simple abstract figure, head somewhat square with 'wings" boxing the outside long arching neck descends to midpoint and ends at small horizontal plane body descends to a protruding "foot" Marble is finished with a bush hammer.

Tall simple abstract figure. Head defined by a semi circle on its side with a rectangular chiseled 'window' from the flat side. body defined by a long serpentine line extending from head to foot, two opposing curves form jutting points on the outsides at approximate midway marble, except for the window is finished with a bush hammer.

Abstract hollow form supported on numerous (9) legs from a flat rectangular base. Body is rounded spherical with one flat side. Modeling is rough warty 5 short fingers extend from top end of body.

Very rough abstract form on three legs body hollow with piercings. Rises to a very narrow top which leans to one side opposite of leaning top at approximately mid point is a jutting projection of several loops arriving at a point.

Four legged abstract form composed of cut and torn twisting curving sheets of bronze - very pronounced horns form the top. On one side two long narrow fingers project at a downward angle.

Simple abstract form with contrasting textures. One face left natural, several with point chisel, several with tooth chisel on one side are two conical forms scooped into the stone. One is finished with a flat chisel.

Simple white marble abstract form curving four sided body with a plane scooped out of one corner. Rounded rectangular head set at an angle to the body. Head has a rectangular chisel surfaced face set in center the rest of the stone is bush hammered. - ANTIQUERA MARBLE